01. Mary Magdalene
02. My memories of María Bala
03. Assorted tangos
04. My memories of Gloria
05. My memories of Chacón
06. Guajiras
07. Personal fandangos
08. Zambara to the mothers
09. My memories of Barrio Santiago
Chimeras of time “Recuer2“ is the testimony of a cantaor for whom cante is not something from the past, nor a perpetual evolution, always changing. Ezequiel Benítez returns the eternal to time, a herculean task in these postmodern times, in which the ephemeral is the rule of life and in which the eternal remains locked in a drawer of history or is simply a museum relic. His cantes are pieces of eternity transported back in time.
Ezequiel Benítez has drunk from the fountain of the greats, he has been instructed by them, but he does not imitate them. He is faithful to the rules, to the teachers, but he interprets them in his own way, according to what the depths of his soul dictate. To the 'via disciplinae' Ezequiel Benítez adds the 'via inventionis', the path of discovery, through which the singer turns inward, to the source of his soul.
And that source is the source of the heart. Ezequiel's cante is not a product, but heartbeats, experiences. His cante is traversed by the pain of an irreparable loss, a wound that bleeds and seeks to be healed. Song of blood, song of the heart, song of the entrails.
Quimeras del Tiempo is a window open to the world, a spirit capable of unexpected flights, a new path in the paths of song .
02. My memories of María Bala
03. Assorted tangos
04. My memories of Gloria
05. My memories of Chacón
06. Guajiras
07. Personal fandangos
08. Zambara to the mothers
09. My memories of Barrio Santiago
Chimeras of time “Recuer2“ is the testimony of a cantaor for whom cante is not something from the past, nor a perpetual evolution, always changing. Ezequiel Benítez returns the eternal to time, a herculean task in these postmodern times, in which the ephemeral is the rule of life and in which the eternal remains locked in a drawer of history or is simply a museum relic. His cantes are pieces of eternity transported back in time.
Ezequiel Benítez has drunk from the fountain of the greats, he has been instructed by them, but he does not imitate them. He is faithful to the rules, to the teachers, but he interprets them in his own way, according to what the depths of his soul dictate. To the 'via disciplinae' Ezequiel Benítez adds the 'via inventionis', the path of discovery, through which the singer turns inward, to the source of his soul.
And that source is the source of the heart. Ezequiel's cante is not a product, but heartbeats, experiences. His cante is traversed by the pain of an irreparable loss, a wound that bleeds and seeks to be healed. Song of blood, song of the heart, song of the entrails.
Quimeras del Tiempo is a window open to the world, a spirit capable of unexpected flights, a new path in the paths of song .
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