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01. Mary Magdalene
02. My memories of María Bala
03. Assorted tangos
04. My memories of Gloria
05. My memories of Chacón
06. Guajiras
07. Personal fandangos
08. Zambara to the mothers
09. My memories of Barrio Santiago
Chimeras of time “Recuer2“ is the testimony of a cantaor for whom cante is not something from the past, nor a perpetual evolution, always changing. Ezequiel Benítez returns the eternal to time, a herculean task in these postmodern times, in which the ephemeral is the rule of life and in which the eternal remains locked in a drawer of history or is simply a museum relic. His cantes are pieces of eternity transported back in time.
Ezequiel Benítez has drunk from the fountain of the greats, he has been instructed by them, but he does not imitate them. He is faithful to the rules, to the teachers, but he interprets them in his own way, according to what the depths of his soul dictate. To the 'via disciplinae' Ezequiel Benítez adds the 'via inventionis', the path of discovery, through which the singer turns inward, to the source of his soul.
And that source is the source of the heart. Ezequiel's cante is not a product, but heartbeats, experiences. His cante is traversed by the pain of an irreparable loss, a wound that bleeds and seeks to be healed. Song of blood, song of the heart, song of the entrails.
Quimeras del Tiempo is a window open to the world, a spirit capable of unexpected flights, a new path in the paths of song .
02. My memories of María Bala
03. Assorted tangos
04. My memories of Gloria
05. My memories of Chacón
06. Guajiras
07. Personal fandangos
08. Zambara to the mothers
09. My memories of Barrio Santiago
Chimeras of time “Recuer2“ is the testimony of a cantaor for whom cante is not something from the past, nor a perpetual evolution, always changing. Ezequiel Benítez returns the eternal to time, a herculean task in these postmodern times, in which the ephemeral is the rule of life and in which the eternal remains locked in a drawer of history or is simply a museum relic. His cantes are pieces of eternity transported back in time.
Ezequiel Benítez has drunk from the fountain of the greats, he has been instructed by them, but he does not imitate them. He is faithful to the rules, to the teachers, but he interprets them in his own way, according to what the depths of his soul dictate. To the 'via disciplinae' Ezequiel Benítez adds the 'via inventionis', the path of discovery, through which the singer turns inward, to the source of his soul.
And that source is the source of the heart. Ezequiel's cante is not a product, but heartbeats, experiences. His cante is traversed by the pain of an irreparable loss, a wound that bleeds and seeks to be healed. Song of blood, song of the heart, song of the entrails.
Quimeras del Tiempo is a window open to the world, a spirit capable of unexpected flights, a new path in the paths of song .
The customer may exchange any item that he does not like or does not fit as long as he meets the following conditions:
The customer has a period of 30 calendar days, from the date of receipt of the merchandise, to return a product. The essential requirements to carry out the return are:
* That the product is new, without signs of use, with the original box and labels properly wrapped. If the product meets the above conditions, the customer may exchange the item for any other size or for another model that we have in stock, the costs of returning the product will be borne by the customer, as well as customs costs if there would be. To return an item, you must previously contact us and send us an e-mail to: shop@expoflamenco.com indicating us in the subject RETURN and detailing in the mail your purchase data including name, telephone number and order or ticket number. We will be able to contact you as soon as possible indicating the shipping costs generated for the subsequent shipment of the exchanged item and the method of payment for it.
* That the product has not been tampered with.
* Have the invoice or purchase receipt.
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